It’s hard to imagine a place more visually challenging, provocative and pleasing than the Venice Art Biennale. During summer, social media fills up with different impressions from visitors of the spectacle – one that traditionally became a “must-see”. With a few days left before it’s closing, instead of reviews and opposing theoretical discussions of this year’s selection, we offer the photogrphic story of Katarina Markovic, who visited the Biennale last August and is sharing her visual impressions with the readers of MILICA Magazine.

Katarina Markovic is a visual artist from Belgrade whose work focuses on photography and short video forms. So far she was featured several group exhibitions in Serbia and abroad. She is a final year student at the Faculty of Media and Communication, Department of Digital Art, part of the multidisciplinary art organization Logic Art Space and photo editor here at MILICA magazine.

 

 

Ernesto Neto, Dua busen spirit

 

Petrit Halilaj, Do you realise there is a rainbow even if it’s night

 

Lee Mingwei, The Mending Project

 

Lorenzo Quinn, Support

 

Martin Cordiano, Common Places

 

Maria Lai, Enclicopedia Pane

 

Zilla Sanchez, Las Troyanas

 

 

 

 

 

South Korean Pavillon, Cody Choi and Lee Wan, Proper Time

 

Japan Pavillon, Takahiro Iwasaki, Turned upside down It’s a forest

 

 

 

French Pavillon, Xavier Velihan, Studio Venezia

 

Canada Pavillon, Geoffrey Farmer, A way out of the Mirror

 

Azerbaijan Pavillon, HYPNOTICA Visual Performance Group, Elvin Nabizade, Under One Sun. The Art of Living Together

 

PERSONAL STRUCTURES open borders exhibition, Yoko Ono, Mirror image

 

 

Russian Pavillon, Theatrum Orbis

 

 

 

Italian Pavillon, Il mondo magico, Roberto Cuoghi, Adelita Husni-Bay, Giorgio Andreotta Calo

 

Lani Maestro, The Spectre of Comparison, Philippine

 

PUGAD, Raffy Napay